Japanese rock – Kenthe 390 http://kenthe390.com/ Sat, 09 Oct 2021 16:39:32 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://kenthe390.com/wp-content/uploads/2021/04/cropped-icon-32x32.png Japanese rock – Kenthe 390 http://kenthe390.com/ 32 32 Randy Bachman’s lost 1957 Gretsch guitar found 45 years later – in Tokyo https://kenthe390.com/randy-bachmans-lost-1957-gretsch-guitar-found-45-years-later-in-tokyo/ https://kenthe390.com/randy-bachmans-lost-1957-gretsch-guitar-found-45-years-later-in-tokyo/#respond Sat, 09 Oct 2021 14:51:22 +0000 https://kenthe390.com/randy-bachmans-lost-1957-gretsch-guitar-found-45-years-later-in-tokyo/

For 45 years, Randy Bachman has tried to fill the void left by a guitar – the guitar – with which he strummed some of the most iconic songs in rock music.

He bought hundreds of other Gretsch guitars, but the former Guess Who guitarist couldn’t find this guitar – a 1957 Gretsch 6120 Chet Atkins model in Western Orange with black DeArmond pickups.

“I would take the guitar in its case in my hotel room with a backpack with 12 feet of tow truck chain,” Bachman recalled in an interview Friday from his home in Sidney, British Columbia.

“I put my guitar next to the toilet in the bathroom, threaded the chain through the handle of the case, around the case and around the toilet twice, and locked it two times. times. So if someone wanted to steal it, they would have to rip the toilet off the bathroom floor. “

The guitar, which he used to write people like No sugar tonight, Take care of business and American woman, was stolen from a Toronto-area hotel in 1976.

Bachman was preparing an album for Bachman – Turner Overdrive in Toronto when his tour director brought the guitar back to the hotel upon departure. According to Bachman, the guitar was put in the hotel room with other luggage, and within five minutes it took to pay the hotel bill, the guitar was slipped.

“It was just terrible,” Bachman said. “I literally cried all night … I loved this guitar so much.”

But after decades of research, Bachman’s long-lost guitar recently resurfaced in Tokyo.

Bachman is shown strumming his 1957 Gretsch guitar in the Lookin ‘Out video for No. 1 in 1975. The guitar, which he bought from Winnipeg Piano in the early 1960s, was stolen from a hotel in the Toronto area in 1976. (Submitted by Randy Bachman)

The Long-Lost Guitar Has Winnipeg Roots

His love affair with the guitar began as a child in Manitoba’s capital city. He remembers a music store on Portage Avenue called Winnipeg Piano.

“I would go every Saturday… and I would look out the window, if you can believe it,” he said. “Look at him for about an hour, then go to the side window, look at him from the side for half an hour, then Neil Young would come over to me and he would stare at him and stare at him for an hour.”

Bachman then bought one of the store’s guitars. He ended up being the bad one and he traded him in after Guess Who released his debut album, Shaking everywhere, and he bought the one he’s been stalking for nearly half a century.

Despite the help of the RCMP and vintage instrument dealers across North America, his search for the famous Gretsch model went empty-handed.

The belief is that his 6120 crossed the border to Buffalo, then to Chicago and Texas. It has since been located in Japan, using facial recognition software.

Facial recognition identifies Gretsch

Due to the COVID-19 pandemic, Bachman was stuck at home recording YouTube videos when he received an email from a viewer in White Rock, B.C., claiming he had found Bachman’s missing Gretsch.

“He said he did facial recognition on my guitar,” Bachman said. “I said, ‘What are you talking about? He said, “Well, we do it for the faces.” The guitar has a face, doesn’t it? “”

The viewer sent Bachman a 2019 Christmas video of Japanese pop musician Takeshi playing guitar. Facial recognition software pointed out what looked like a small flaw, which was actually just a knot in the wood.

Bingo. Bachman’s lost guitar has finally been found.

“The minute I saw it, I knew [it. He was] singing Rockin ‘around the Christmas tree with rockabilly, ”he said.

With the help of her son’s partner Tal, Koko, Bachman and Takeshi, who don’t speak English, got in touch. Koko was the translator during their hour-long conversation.

“How it all plays out… one after the other it seems like everything was meant to be like Randy said. And that’s exactly how we all feel. It brings us together,” Koko said.

“It’s pretty funny because when I moved here from Japan I was 16 and didn’t speak English. So I’m happy I learned and I can actually translate now and be able to help. Randy to sort this out. “

Takeshi agreed to buy back the guitar from Bachman.

“When I first strummed this guitar at a music store in Tokyo, I knew and felt it was fate – I immediately and impulsively bought it,” Takeshi said in a statement.

“I am so honored and proud to be the one who can finally return this stolen guitar to its owner, the rockstar, Mr. Bachman, who had been searching for it for almost half a century, and I am very grateful that this miracle has happened. occur in both of our lives. “

Japanese musician Takeshi with the guitar Randy Bachman stole from a Toronto-area hotel in 1976. (Submitted by Takeshi)

Bachman had to find a guitar as close to the original as possible in order to facilitate the trade. He contacted Gary’s Classic Guitars in Ohio, which had a 1957 Gretsch 6120 Chet Atkins model in Western Orange – with the two-digit serial number of the original – and bought it for trade with Takeshi.

Once he is safe enough to travel overseas, Bachman will travel to Japan to trade the original guitar he bought so many years ago at Winnipeg Piano.

He expects to be overcome with emotion when he finds the guitar again.

“I will be beyond verklempt,” Bachman said. “I’m sure I’ll cry.”

Randy Bachman finds his lost guitar after 45 years

Randy Bachman, better known as the former Guess Who guitarist, has found his very first guitar after losing it over 45 years ago. 2:11

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]]> https://kenthe390.com/randy-bachmans-lost-1957-gretsch-guitar-found-45-years-later-in-tokyo/feed/ 0 Explore how rocks form weaving patterns in frozen landscapes https://kenthe390.com/explore-how-rocks-form-weaving-patterns-in-frozen-landscapes/ https://kenthe390.com/explore-how-rocks-form-weaving-patterns-in-frozen-landscapes/#respond Thu, 07 Oct 2021 08:52:52 +0000 https://kenthe390.com/explore-how-rocks-form-weaving-patterns-in-frozen-landscapes/

Nature is full of repeating patterns that are part of the beauty of our world. An international team, including a researcher from the University of Washington, used modern tools to explain the repeating patterns of stones that form in cold landscapes.

The new study, published Oct. 5 in the Proceedings of the National Academy of Sciences, uses experimental tools to show how ice needles growing haphazardly on frozen ground can gradually move rocks in regular, repeating patterns. The team, based primarily in China and Japan, uses a combination of new experiments and computer modeling to describe these striking features with new theoretical knowledge.

“The presence of these amazing models that develop without any human intervention is quite striking in nature,” said co-author Bernard Hallet, professor emeritus of Earth and space sciences at UW and member of the Center. quaternary research. “It’s like a Japanese garden, but where’s the gardener?”

Hallet specializes in the study of patterns that form in polar regions, high mountains and other cold environments. One of the reasons for the patterns is needle ice cream. As the temperature drops, the moisture in the soil turns into spikes of ice crystals that protrude from the ground.

“When you step out into the garden after a frosty night and feel a little crackle under your foot, you are probably walking on needle ice,” Hallet said.

As needle ice forms, it tends to lift soil particles and, if there are any, small stones. More needle ice can form on patches of bare soil compared to areas covered with rocks, Hallet said. The ice needles will move the remaining stones slightly in the more bare area. Over the years, the stones begin to cluster together in groups, leaving the bare plates mostly without stones.

“This type of selective growth involves interesting feedbacks between stone size, soil moisture, and ice needle growth,” Hallet said.

Hallet had previously reviewed another scientific paper by first author Anyuan Li, formerly at Shaoxing University and now at Tsukuba University in Japan. The two have started a collaboration that combines Hallet’s long-standing expertise in investigating patterns in nature with Li and his collaborators’ experience in experimental science and computer modeling.

Senior author Quan-Xing Liu of East China Normal University uses fieldwork and laboratory experiments to understand self-organizing patterns in nature. For this study, the experimental setup was a flat square of moist soil just over 1 foot on each side (0.4 meter) that began with stones spaced evenly across the surface. The researchers carried out the experiment over 30 freeze-thaw cycles. By the end of this period, regular models had started to appear.

“The videos are quite striking, and they show that the ice has just come up and in one cycle, it lifts rocks and moves them slightly to the side,” Hallet said. “Because of these experiences and the abilities of the individuals involved to analyze these results, we have much more tangible quantitative descriptions of these characteristics.”

Other experiments examined how the pattern changes depending on the concentration of stones, the slope of the ground, and the height of the ice needles, which is also affected by the concentration of stones. Based on these results, the authors wrote a computer model that predicts the patterns that will appear depending on the concentration of stones on the frost-prone surface.

Reference: Li A, Matsuoka N, Niu F et al. Ice needles weave stone patterns in frozen landscapes. PNAS. 2021; 118 (40). doi: 10.1073 / pnas.2110670118

This article was republished from the following materials. Note: The material may have been modified for its length and content. For more information, please contact the cited source.

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In the fabulous and fantastic world of Tiki Tatsu-Ya https://kenthe390.com/in-the-fabulous-and-fantastic-world-of-tiki-tatsu-ya/ https://kenthe390.com/in-the-fabulous-and-fantastic-world-of-tiki-tatsu-ya/#respond Wed, 06 Oct 2021 18:23:15 +0000 https://kenthe390.com/in-the-fabulous-and-fantastic-world-of-tiki-tatsu-ya/

II have been a fan of installation art since my first visit to Marfa, Texas where I wandered the otherworld of Ilya Kabakov School n ° 6. The experience of entering in a work of art, to interact with a conjured world, was so magical that I have searched for similar experiences ever since. From Meow Wolf in Santa Fe to the tunnels connecting the Kinder Building to the rest of the Houston Museum of Art (not to mention the Rothko Chapel and Buffalo Bayou Park Cistern), I’ve been impressed (and sometimes panicked) by the immersive installations. . But when I went to Tiki Tatsu-Ya (Austin’s newest and most fabulous bar), I enjoyed not only a piece of art created by some of the city’s most innovative creatives, but a evening of fresh fish, ambient sounds, a light show, and my friend Emily sipping “Forbidden Grog” and “Strip and Go Naked” cocktails.

The brothers Tatsu and Shion Aikawa, owners of Ramen Tatsu-Ya (one of the Enjoy your meal‘s “Top 50 Best Restaurants”) and Kemuri, recognized by Condé Nast Traveler as one of the world’s best restaurants on the 2021 Gold List, let’s say Tiki Tatsu-Ya was inspired by Los Angeles tiki bars. “Since opening our first ramen shop, our focus has always been to share the food, drinks and experiences that come from a place that is nostalgic or meaningful to our upbringing,” says Chef / Owner Tatsu. “Through our travels and tiki explorations, we discovered the rich Japanese roots of Hawaiian and tiki culture that grew out of centuries of immigration and we wanted to explore this further. We are grateful to everyone who was on the trip and look forward to welcoming guests from near and far to our version of tropical paradise.

Escape to the skull-lined confines of Tiki Tatsu-Ya. (photo by Jessica Attie)

First impressions

Tiki Tatsu-Ya looks completely unassuming from the front. In fact, if you avoid the hordes lining up for Ramen Tatsu-Ya next door, you might think you’ve stumbled upon a dusty ’80s travel agency with windows covered with posters and even an advertisement for a page. “MySpace”. But once you step into the space once occupied by Backspace, the adventure (meticulously crafted by local craftsmen Blue Genie Art Industries and built by Satterfield Construction) begins.

Through wooden porthole doors, you enter a cave and admire a giant two-story rock fountain of the dragon Shisa. As you explore deeper, the rock faces are flanked by skulls, a shield wall, and nautical accents like fishing nets and floats. A cozy booth in front of the fountain places guests in the belly of an ancient merchant ship with portholes depicting scenes from the discovery of the island. At the end of the cave is the main bar, adorned with layers of eye-catching woodwork, personalized mugs, glasses, and a world-class rum selection.

Upstairs at the Nest Bar, the landscape transforms into a beach hut hideaway, where Shibori (Japanese-dyed fabrics), bamboo ceilings, and a large work of art honoring the journey of Japanese pearl divers (called “Ama”) stage. Lighting from Natalie George Productions, map projection and video design from Thrown Light, a soundtrack of ocean waves, thunderstorms and bird songs from Gl33k, and a gorgeous drink menu illustrated by Tony Canepa create a breathtaking spectacle.

The SOS - Stranded on Saturn_Credit: Jody Horton
SOS – Stranded on Saturn with gin, lemongrass shochu, star fruit, passion fruit, miso-almond barley and pholernum. (photo by Jody Horton)

The drinks

Large format concoctions, which can accommodate from two to eight people, enhance the themes. There’s the Aku Aku fruit (which serves two), a mixed cocktail of pineapple, peach, lime, mint, and high-strength rum served in a pineapple; SOS – Stranded on Saturn (for three to four people), a blend of shochu, star fruit, passion fruit, miso-almond barley and falernum, served in an orb perched on a steaming garden landscape with the ability to upgrade with Kingston Negroni Titan shots; and the Skeleton Cruise (for four to six people), a combination of Japanese whiskey, rum, chartreuse, guava, lemon, pineapple and pomegranate, served in a skull-dazzled vessel. When certain cocktails are ordered, light shows and sounds are set off, eliciting cheers from customers (including me and Emily).

River Oaks District

DISCOVER

FASHION

TIMELESS

INDIVIDUALITY

SPORT-CHIC

ICONIC

ELEGANT

DUALITY

ELEGANCE

GRACE

SOPHISTICATED

NONCHALANCE

MOVEMENT

Tiki Tatsu-Ya Reviews
Spam on the half-shell (photo by Jody Horton)

Bites

At the heart of Tiki Tatsu-Ya’s food and drink program is a menu of timeless shareable bites that capture the story of the tiki heyday. We loved Spam on the Half Shell with homemade spam, mango, shio koji, dandelion and hibiscus furikake. The Crab Lagoon (a game of crab rangoons) is made from blue crab and served in its own ceramic crab tray.

We tasted the raw section O-Sakana, including the Maguro Poke, with tuna, cucumber, Kahuku Limu seaweed, crunchy taro and roasted kukui nuts, and Lomi Lomi Tataki, with salmon, kosho with tomato, shiso pesto, sea beans and macadamia nuts. oil. A buttery mochi dessert, with pineapple jam, coconut cream, matcha and macadamia nuts, was the perfect finish.

It seemed almost impossible to get out of the bar and end up on South Lamar Boulevard in Austin, Texas, without suitcases.

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Bryan Danielson reveals the Rock and another WWE legend were his least favorite people https://kenthe390.com/bryan-danielson-reveals-the-rock-and-another-wwe-legend-were-his-least-favorite-people/ https://kenthe390.com/bryan-danielson-reveals-the-rock-and-another-wwe-legend-were-his-least-favorite-people/#respond Wed, 06 Oct 2021 06:11:00 +0000 https://kenthe390.com/bryan-danielson-reveals-the-rock-and-another-wwe-legend-were-his-least-favorite-people/

AEW professional wrestler Bryan Danielson interviewed 6abc and spoke about the different elements of working within the industry. One of the factors he brought up was his feelings towards Stone Cold Steve Austin and The Rock as a wrestling fan.

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The situation arose when Danielson compared what it was like to work with AEW as opposed to working with WWE. According to The American Dragon, AEW focuses on wrestling and catering for wrestling fans, while WWE sometimes focuses on catering for casual viewers which results in less wrestling and more talking.

“Make a comparison just by watching the shows. You’ll find there is a lot more wrestling in the two hours of Dynamite than there is even in a three hour WWE Raw. Sometimes there is more wrestling in an AEW Dynamite show than there is in RAW and SmackDown combined. So that’s one of the things that attracted me. As a fan when I was in high school everyone loved Rock and (‘Stone Cold’) Steve Austin. They were the people I liked the least because they were just talking.

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While Danielson may be right on one point of view, he is incorrect on another. WWE has always portrayed itself as a sports entertainment company, not a wrestling company. Therefore, entertainment is only a threshold. There are several elements underneath and one of them is engagement with the audience.

WWE gets the Superstars talking in segments to blow the audience away. Additionally, The Texas Rattlesnake and The Great One cut stunning segments during The Attitude Era, which became the most successful era in WWE history.

DIVE MORE DEEP

WWE Manager Says NXT Superstar Can Beat Tom Brady’s A **

in about 4 hours

Bryan Danielson didn’t like to talk in segments

During the same interview with 6abc, Danielson revealed that he doesn’t really want to get famous in WWE or sports entertainment but in Japan. He believed that the style of Japan was more wrestling-based, and he would flourish there and come back quietly.

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“My dream when I first started wrestling wasn’t to be in WWE and go to the main event WrestleMania or something like that; my dream when I started wrestling was actually to be a big star in Japan, because I loved the Japanese style of wrestling which is very wrestling based. I also liked the idea because I was afraid to speak in public. I loved the idea of ​​being able to go to Japan – you could be slightly famous there and then come back and no one would know who you are, and I loved the idea.

Watch This Story: Becky Lynch Moves To Raw, Goldberg Comes Back From Injury: Best WWE Raw Moments (October 4, 2021)

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Well, that clearly didn’t happen. Danielson is extremely famous as a professional wrestler across the world. He has a fan base on almost every continent and couldn’t help but speak in segments.

Currently he is doing very well for himself in AEW!

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Exploring the films of Japanese lost cult filmmaker Toshiaki Toyoda https://kenthe390.com/exploring-the-films-of-japanese-lost-cult-filmmaker-toshiaki-toyoda/ https://kenthe390.com/exploring-the-films-of-japanese-lost-cult-filmmaker-toshiaki-toyoda/#respond Tue, 05 Oct 2021 14:07:00 +0000 https://kenthe390.com/exploring-the-films-of-japanese-lost-cult-filmmaker-toshiaki-toyoda/

James Balmont offers a guide to one of the country’s greatest contemporary artists cult filmmakers


The last half-century has seen a multitude of Japanese directors make themselves known far beyond the borders of their country. Takashi Miike was known as the prolific cinematic machine behind films like Hearing (1999) and Ichi the killer (2001) – now he is one of the most recognizable names in the Japanese film industry. A few years later, he passed the torch of Japan’s most controversial director to Sion Sono, who has just released his first Hollywood feature film, Prisoners of Ghost Country, with Nicolas Cage. Two decades after breaking through with films like Maborosi in the 90s, Hirokazu Kore-eda won the Palme d’Or de Cannes and an Oscar nomination for Shoplifters in 2018, while J-Y2K horror icon Kiyoshi Kurosawa achieved a similar feat after winning the Venice Silver Bear in 2020, for Wife of a spy.

Of all rights, Toshiaki Toyoda should eat at the same table as these great people. But despite being one of the most exciting new directors of his generation in the late ’90s, the Osaka-born writer found himself on a different trajectory than his more recognizable contemporaries.

In Japan, Toyoda’s reputation as a filmmaker is matched only by his infamy as the subject of two high-profile scandals. In 2005, he was arrested for drug possession weeks before the publication of one of his most high-profile posts. In 2019, he was arrested again after a second drug raid made an antique WWII firearm illegal. With both events becoming sensational fodder for the tabloids, the director’s career was repeatedly disrupted. If it wasn’t, his star (and profile) would surely have climbed much higher.

The work of Toyoda – who has covered stylized youth crime films, meditative dramas, documentaries, low budget art films, and more. – has never strayed too far from specialized film festivals which have given it a modest international reputation. But after 25 years in the game, it is now rightly receiving long-awaited exposure in the UK thanks to a series of Blu-ray releases from Third Window Films in October and a retrospective streaming via the streaming platform. Arrow Video the following month. The journey inside is revealing: it is the story of a captivating filmmaker who twice received a bad hand, only to rise from the ashes, reinvent himself and reclaim his mantle as one of the greatest filmmakers. contemporary cults of Japan. Here are some important points:

Porn star, 1998

Toyoda’s feature debut in 1998 is, alongside a follow-up high school drama Spring Blue, perhaps the director’s most scathing reflection of real-world anxieties in Japan in the mid-1990s. A fiscal calamity was in full swing as the country’s economy collapsed in the late 1980s, and with With university employment falling to just 66% that year, reports of young people turning to crime became more prevalent as young people found themselves unable to meet their parents’ expectations.

As a result, an influx of films about young killers and criminals shaped the country’s film production, with Royal battle and Sion Sono Suicide club among the highlights. Porn star – Toyoda’s lively and metropolitan beginnings was another vibrant, independently shot juvenile delinquency film. Here, an almost mute and emotionally empty outcast pours through love hotels, game rooms, neon alleys and yakuza offices, sinking deeper and deeper into a world characterized by violence, rejection and despair.

Stone-faced actor Chihara Junia, who plays the film’s sociopathic lead role, offers a perfect visual embodiment of the Japanese group’s themes and soundtrack. Soak adds to the moody atmosphere of discouragement and alienation. The film’s opening scene, which finds Junia’s unnamed disruptor moving emotionlessly through the iconic Shibuya Crossing in slow motion, is amplified to stoner-rock nirvana thanks to the group’s heavy, mud-laden riffs. .

9 souls, 2003

Toyoda found Junia, and Spring Blue direct Ryûhei Matsuda, alongside a recognizable set of actors from Japan’s Golden Age Y2K, for this comedic and powerful 2003 road movie about a group of escaped prisoners trying to come to terms with demons from their past . Among the memorable characters: legendary violent biker Kazuma (Junia), child killer Torakichi (Always walking‘s Yoshio Harada), drug trafficker Saruwatari and Shiratori – a dwarf-sized doctor and “escapee master.”

The first half of the film is a riot of dark humor and David Lynch-like absurdity The heart that is in Desert or the feather of Quentin Tarantino Born killers. Convicts who steal vans, fuck sheep, and disguise themselves cause chaos as personalities clash internally, as well as with the various civilians they encounter. There are moments of pure comedy, but the real lead of the film occurs halfway, the tone changes as the convicts go their separate ways in hopes of rectifying their irreversible misdeeds, and a chain of brooding revelations offers a bang. unexpected emotional fist.

With sensational cinematography, a Sonic Youth-style soundtrack and an unforgettable cast of characters, 9 souls turned out to be a vibrant turning point for a young director on the verge of excellence.

Monster Club, 2011

Following a high-profile arrest for drug possession in 2005, Toyoda was kicked out of the Japanese film industry and did not shoot another movie for years. But two years after his comeback movie, The blood of rebirth, he will deliver one of his most fascinating works. Monster Club is a brilliant rendition of American terrorist Ted Kaczynski – better known as Unabomber – who, motivated by a hatred of society, embarked on a nationwide bombing campaign in the United States between 1978 and 1995 while leading a primitive life in the Montana desert.

The film opens in heavy snow in a dense pine forest, where an anonymous character inside a wooden cabin is preparing gunpowder for a homemade explosive, which will soon be shipped to the CEO of a television network. “Society reprograms people to act against their natural instincts,” intones the film’s alarming and isolated subject, as he denounces the various sins of the world through a vast manifesto. The only way out, he concludes, is “to completely abandon industrial society.” But the boost in this cold and captivating character study comes soon after, as Kaczynski-inspired Ryoichi Kakiuchi begins to encounter a strange spiritual entity while being haunted by demons from his past. So, what begins as a lonely, thoughtful exploration into the mind of a troubled criminal soon becomes something much deeper and more touching.

Everything is accentuated by the breathtaking and cold cinematography of the film, as well as by about twenty loners, Neil young-guitars reminiscent of another visceral film through the wilderness: Jim Jarmusch’s sour western Dead man.

I am Flash, 2012

The cold, desolate mountains are swapped for the Pacific seaside idylls of Okinawa in Toyoda’s 2012 thoughtful follow-up to Monster Club. The film stars Tatsuya Fujiwara (Royal battle) as the leader of a popular religious sect who kills a motorcyclist in a traffic accident, but mysteriously comes out unscathed. Hawaiian shirts, taco rice, and sandy beaches serve as an atmospheric backdrop to this powerful, contemplative drama, which features an ambiguous narrative, a sleek camera, and vivid photographs.

The constant presence of the deep blue ocean would mean even greater significance to Japanese audiences – the devastating Tōhoku earthquake and tsunami happened just one year before the film’s release. The theme of death, likewise, is predominant everywhere, but the Okinawan setting – a favorite of ’90s crime author Takeshi Kitano – is the most vivid facet of I am Flash. And like Kitano’s works, the film also incorporates character types and plot elements from the gangster genre, to subvert them in favor of something more complex and contemplative.

Go Seppuku yourselves, 2021

The last short in Toyoda’s cryptic “resurrection trilogy” was released just a few months ago in Tokyo, and although it is short in length, it has a profound impact. Directly attacking authorities for their perceived mismanagement of the coronavirus pandemic, this politically charged period piece takes no prisoners.

A masked figure dressed in red cuts his little finger at one temple. Breathtaking sound echoes in the background, creating an atmosphere of shaking tension. “Is the epidemic affecting you too?” Asks one of the patrons of the magnificent Mt Resurrection-Wolf. These moments are the precursor of Go Seppuku yourself great spectacle: a foreigner accused of having poisoned the village accuses the governing magistrate of the spread of a plague, and in response he is summoned to commit seppuku (self-eventration).

The culminating ceremony is observed without flinching, as the magnetic Yôsuke Kubozuka delivers long kneeling monologues in a series of uninterrupted shots. He takes his knife and claims he will be reborn as a beast – a metaphor, perhaps, for the director’s own shocking resurrection after a second public scandal disrupted his career in 2019.

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India and the geopolitics of the moon https://kenthe390.com/india-and-the-geopolitics-of-the-moon/ https://kenthe390.com/india-and-the-geopolitics-of-the-moon/#respond Mon, 04 Oct 2021 21:30:39 +0000 https://kenthe390.com/india-and-the-geopolitics-of-the-moon/ A year ago, eight countries led by the United States signed the so-called Artemis Accords. The agreements are an agreement to comply with a broad set of principles to guide the expansion of human activity on the moon – ranging from mineral resources to the establishment of lunar colonies. The eight signatories came from Australia, Canada, Italy, Japan, Luxembourg, United Arab Emirates, United Kingdom and United States. Since then, many more have joined us: Brazil, South Korea, New Zealand and Ukraine.

The United States invited India to join the agreements, and preliminary official discussions on the issue were held between the two sides when Prime Minister Narendra Modi met with U.S. President Joe Biden at the White House for the bilateral summit on last month. In addition, at the summit of the Quadrilateral Forum that followed the bilateral discussion, Modi and Biden, as well as the Australian and Japanese Prime Ministers, agreed to create a new Quad working group on space. The increasing commercialization and militarization of outer space has piqued the interest of Quad leaders.

As technological capabilities develop, nations are looking beyond near-Earth space (or “brown waters” in maritime parlance that continues to shape the discourse on outer space) to interplanetary probes and deep space research (“blue waters” if you will be).

These trends have brought the moon to the fore. As space powers seek routine access to the moon – as opposed to 20th century moon landings driven by political prestige – their attention has turned to what’s called cis-lunar space, or the volume between them. orbits around the earth and the moon.

No national activity in the cislunar space in recent years has been more ambitious than that of China. The Beijing lunar mission, named after the Chinese moon goddess Chang’e, was unveiled in 2007. Since then, China has put two spacecraft into lunar orbit (Chang’e 1 and 2) and landed two rovers on the moon (Chang’e 3 and 4). Chang’e 4 had the distinction of being the first to land on the other side of the moon which cannot be seen from the earth. The Chang’e 5 launched last year brought lunar material back to Earth. The last time a mission returned with moon rock was the Soviet Luna 24 in 1976.

China’s ambitions are much greater. The next lunar missions – Chang’e 6,7 and 8 – could contribute to the construction of an international lunar research station at the south pole of the moon. ILRS will have a space station orbiting the Moon, a base on the surface that will have several intelligent robots performing various tasks. To support ILRS, Beijing hopes to build a super heavy Long March CZ-9 rocket before the end of this decade. It should carry at least 50 tons to the Moon. For a scale comparison, the payload of the Chandrayaan-2 launched by the Indian rocket PSLV in July 2019 was around four tonnes.

China has also added an international dimension to its lunar plans by inviting other countries to participate in the ILRS project. Russia, once a major space player, has now joined China on ILRS. Russia is relaunching its series of Luna probes to the moon to complement Chinese efforts.

The launch of Luna-25, slated for last month, has now been postponed to May 2022. Luna 25, 26 and 27 will work in tandem with Chang’e 6,7 and 8 to undertake extensive reconnaissance and develop ultra-technical techniques. precise. moon landings. Together, these missions will lay the groundwork for the second stage of ILRS – a joint construction of the moon base – from 2026.

As geopolitical considerations push Russia towards China, space cooperation has become an extension of their strategic partnership against America. Russia is also threatening to cut off space cooperation with the United States. It is a cooperation that emerged during the Cold War and has expanded since then.

The United States, which raced to the moon in the 1960s, shut down the Apollo program in the early 1970s. The large advance of the Beijing space program, in the civil and military fields, and its growing collaboration close with Moscow shook America from its prolonged neglect of the moon. The Trump administration has announced plans to put astronauts back on the moon by 2024. The new project was named Artemis, after the Greek goddess and twin sister of Apollo.

The structure of the Artemis program is similar to that of the Chinese ILRS. It involves building a permanent space station orbiting the moon, called the Lunar Gateway, and a surface presence at the moon’s south pole that is believed to contain ice and could support future human activity. There is no doubt about the urgency in Washington to restore American leadership in lunar exploration in the face of the Chinese challenge. Like China, the United States has also decided that it cannot go it alone and is looking for partners for its Artemis program.

One of the consequences of increasing lunar activity is the pressure on the current international legal regime, centered around the 1967 Outer Space Treaty. The TSB asserts that outer space, including the moon and other celestial bodies, “is not subject to” national appropriation by claim of sovereignty, by use or occupation, or by any other means. “It declares that outer space will be the” province of all mankind ”and that its use“ will be for the benefit and in the interest of all countries ”.

The foolproof universalism of the OST remains very inspiring; but it was easy to celebrate when there was no capacity on earth to exploit outer space for commercial and military purposes. This situation is changing, thanks to the progress of space technologies and the massive investments of resources of the great powers.

Many provisions of the OST are increasingly subject to competing interpretations and vulnerable to new facts about the moon created by early actors. The breakdown of post-Cold War harmony between the great powers added fuel to the fire on the moon and paved the way for a protracted geopolitical challenge for the moon.

It is in this context that the United States promotes the Artemis Accords to preserve the OST regime in relation to the Moon and promote transparency, interoperability, emergency aid and peaceful international cooperation. But Russia and China don’t seem keen on working with the United States. This leaves other space nations like India to make choices.

The Artemis Accords would hopefully spur Delhi to launch a comprehensive review of India’s interests on the moon and develop strategies to pursue them through a stronger national lunar mission and deeper partnerships with like-minded countries. Delhi must also legislate on a strong regulatory framework to promote India’s space activity and protect its international interests. India should take a close look at the emerging challenges of the current space order, revisit some of its past political assumptions about the nature of outer space, and help shape new global standards that will strengthen the essence of the world. Outer Space Treaty.

The writer is director of the Institute for South Asian Studies at the National University of Singapore and editor-in-chief of international affairs for The Indian Express

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Antony Blinken has a delicate job in Paris after Submarine Row https://kenthe390.com/antony-blinken-has-a-delicate-job-in-paris-after-submarine-row/ https://kenthe390.com/antony-blinken-has-a-delicate-job-in-paris-after-submarine-row/#respond Sun, 03 Oct 2021 20:11:55 +0000 https://kenthe390.com/antony-blinken-has-a-delicate-job-in-paris-after-submarine-row/

Not so long ago, the thinner French relations of John Kerry, one of Mr Blinken’s predecessors as Secretary of State, drew chuckles from Tories who hinted that Mr Kerry, a decorated Vietnam War veteran, was somewhat less than fully American (or “looks like French,” as President George W. Bush’s Commerce Secretary Donald L. Evans once said).

Compared to Mr Blinken, however, Mr Kerry – who learned French at a Swiss boarding school and spent summers with his grandparents on the Brittany coast – was a dumbfounded tourist in front of the Eiffel Tower.

After Mr Blinken’s mother married her second husband in 1971, Samuel Pisar – a prominent diplomat, lawyer and prominent politician of Polish descent who had moved to Paris years before – she brought 9-year-old Antony to live there with them.

Judith Blinken quickly established herself in the French capital. A former musical director of the Brooklyn Academy of Music, she flourished as a sort of cultural ambassador in Paris, helping to promote institutions like the American Center in Paris, which is now closed. A 1993 Chicago Tribune profile described her as a flawless French speaker and “impeccable hostess” who “dresses with the aplomb and confidence that are innate to French women.” She has often entertained in the family home just off Avenue Foch in the 16th arrondissement, “a very modern, all white apartment on two levels filled with major works of art”.

Mr. Blinken attended the Active Bilingual School, a school in central Paris, not far from the Arc de Triomphe. His classmates included Robert Malley, a longtime friend who is now the State Department’s special envoy to Iran. Mr. Blinken quickly learned French and integrated into the culture while finding ways to embrace his American roots: when the first McDonald’s opened in Paris, he ran there with friends and became a regular client. He also fell in love with American rock music, playing guitar in a band that performed when he graduated from high school.

As a teenager in Paris, he became interested in international politics and countered hostile views of the United States from his friends at a time when left-wing criticisms of the Cold War were common there. In an interview with the New York Times in June, during his first visit to France as Secretary of State, Mr. Blinken called his stay in Paris “a life-changing experience” which allowed him to ” to be able to see my own country from a different perspective, and that was a very powerful thing.

Mr. Blinken left France in 1980 to study at Harvard University and Columbia Law School, then returned for two years to work in a law firm in Paris.

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After School Tea Time and 9 other famous anime groups https://kenthe390.com/after-school-tea-time-and-9-other-famous-anime-groups/ https://kenthe390.com/after-school-tea-time-and-9-other-famous-anime-groups/#respond Sun, 03 Oct 2021 03:46:06 +0000 https://kenthe390.com/after-school-tea-time-and-9-other-famous-anime-groups/

Tea time after school caused a stir when K-On! debuted in 2010. The band’s songs hit the Oricon charts several times, with the band itself quickly becoming a household name in the early 2010s. The success of the anime only bolstered its popularity. ‘After School Tea Time, creating a major cultural shift in the anime community.

RELATED: 5 Anime Characters Who Attack With Music (& 5 Who Are Just Terrible Musicians)

However, they’re not the only anime group in town, nor the last. Some of the other bands might not have cute and light lyrics, but they’ve built a unique brand with their music, ranging from catchy and upbeat to heartwarming and heartbreaking, finding themselves a dedicated fan base.


ten Tea time after school started a trend (K-On!)

Pictures feature K-On's after school tea time !!

In 2010, Kyoto Animation caught the attention of anime fans with its animated adaptation of K-On!, kicking off the “moe craze” of the 2010s. The anime focuses on the Light Music Club, its members forming a band, After School Tea Time, to perform at various high school concerts. Due to the success of the anime, After School Tea Time became a household name, with their debut single, “Cagayake! Girls,” reaching fourth on the 2010 Oricon charts. The group’s influence continued in outside of the anime community, appearing in campaigns created by the Kyoto Prefecture government. Even after the anime ended in 2011 with its film, After School Tea Time remains a cultural icon and iconic anime group.

9 Sanrio adds its own version to Battle Of The Bands (Show By Rock !!)

The image on the left is a promotional image of Plasmagica from Show by Rock !!  ;  the image on the right shows the members of Plasmagica from Show by Rock !!

Sanrio has recently released cartoons for different ages while staying true to its cute and healthy aesthetic. In 2015, Sanrio released Show by Rock !!, an anime centered around cute anthropomorphic characters in a musical battle royale.

Plasmagica is a new group trying to make a name for itself in Midi City, its latest member being the protagonist of the anime, Cyan Hijirikawa. Originally from the human world, Cyan is pushed to the mysterious town of Midi and meets her new band mates – drummer Moa, bassist Retoree and lead guitarist Chuchu. His surprisingly sensitive guitar, Strawberry Heart, becomes his guide in Midi City and his musical mentor. Show by Rock !!Its popularity spawned three more seasons in the years to come with a focus on other Midi City groups, but Plasmagica remains a popular group to this day.

8 ENOZ pays homage to a real Japanese rock band (The Melancholy Of Haruhi Suzumiya)

The image on the left shows Haruhi Suzumiya in a bunny costume reading the music from The Melancholy by Haruhi Suzumiya;  the image on the right shows the ENOZ album cover with Yuki Nagato dressed as a wizard and Haruhi Suzumiya dressed as a rabbit

Originally as a parody of ZONE, a Japanese rock band, ENOZ is a four member band from North High School. The acronym derives from the first letters of the member’s last names: Miyuki Enomoto, Takako Nakanishi, Mizuki Okajima and Mai Zaizen.

After two band members are injured, Haruhi and Yuki replace their lead singer and guitarist, respectively. Fans who may not have watched The melancholy of Haruhi Suzumiya can still recognize her iconic black bunny costume which she wears during the school’s cultural festival. This outfit can also be seen on ENOZ’s album, with Haruhi and Yuki on the cover.

7 Black Stones got three albums due to the popularity of the anime (Nana)

The left image shows a promotional image of Nana's Black Stones;  the image on the right shows Nana's Black Stones playing

Also known as BLAST, the Black Stones are a leading musical group of Nana. The group formed in a small town, gaining popularity with local teenagers. Along with their singer, Nana Ozaki, the Black Stones moved to Tokyo to establish themselves in the music industry.

RELATED: 10 Talented Anime Musicians (Who Are Not From An Anime Musical)

Three albums inspired by the Black Stones were released during Nana‘s runtime: two for live action movies and one for anime. However, the albums used two different singers for the vocals: Mika Nakashima for the movies and Anna Tsuchiya for the anime. Black Stones is still praised for its robust and moving music, even after the anime ended and the manga indefinitely paused.

6 Five teens get together to form their dream group (Beck: Mongolia Chop Squad)

The images feature the members of the BECK group: Mongolia Chop Squad

Most anime fans know Beck: Mongolian Chop Squad, even though they’ve never seen the anime before. Its timeless and touching storyline makes it a staple among other musical animes.

The band started out as BECK with its five members: lead guitarist Ryusuke “Ray” Minami, bassist Yoshiyuki Taira, rapper Tsunemi Chiba, drummer Yuji “Saku” Sakurai and vocalist Yukio “Koyuki” Tanaka. The name comes from Ray’s dog but was changed to “Mongolian Chop Squad” as a rebranding. Regardless of the name change, the band is still determined to spread their name and music across Japan.

5 Donne quickly became a fan favorite (donated)

With the anime’s success in 2019, Given’s popularity increased as a group as more fans praised his music sincerely. The band members of Given include Mafuyu Sato, singer, guitarist Ritsuka Uenoyama, drummer Akihiko Kaji and bassist Haruki Nakayama.

RELATED: 10 Great Anime Composers (& Where You Heard Their Music)

When Mafuyu first joins the group, Ritsuka becomes his mentor and helps him play the guitar. Their romance gradually blossoms as Mafuyu gets closer to his group mates. Given’s music – both in the anime and the 2020 movie – has touched the hearts of anime fans around the world. In just two years, he has established himself as a favorite among many.

4 Carole & Tuesday made a big splash in 2018 (Carole & Tuesday)

The images feature Carole and Tuesday singing from Carole & Tuesday

Shinichiro Watanabe once again charmed audiences with his 2018 musical masterpiece, Carole & Tuesday. The songs used throughout the anime were unique and colorful, but none stood out as much as the titular band’s music.

Carole Stanley and Tuesday Simmons come from two different worlds but develop a friendship based on their deep love for music. Since the colonization of Mars, AIs have controlled much of human life and interactions, especially the world of music. Girls want to bring the human touch back to music and touch the world with their singing. What is unique Carole & Tuesday is the musical composition of FlyingDog, the music label that inspired the anime. In addition, various foreign artists lent their voices to the unique cast of the characters.

3 Bakumatsu Rock, where rock bands meet samurai! (Samurai Jam -Bakumatsu Rock-)

The image on the left shows Ryoma Sakamoto of Samurai Jam -Bakumatsu Rock- singing;  the top right image shows Bakumatsu Rock clapping by Samurai Jam -Bakumatsu Rock-;  the bottom right image shows Ryoma Sakamoto hugging Shinsaku Takasugi and Kogoro Katsura from Samurai Jam -Bakumatsu Rock-

Bakumatsu Rock is a group of misfits linked by their love of rock music and lead singer Ryoma Sakamoto. With his bandmates, Shinsaku Takasugi and Kogoro Katsura, they travel through 19th century Japan to make a name for themselves in the music world.

However, their biggest obstacle is the Tokugawa shogunate, which wants to rid Japan of music deemed “unacceptable”. The Shinsengumi are the only approved musical group that produces “Heaven’s Songs” to brainwash audiences. It’s up to Bakumatsu Rock to break down these stifling barriers and open up the world to express yourself freely through music.

2 Poppin’Party was created to help girls find each other (BanG Dream!)

The images above left and right feature Poppin'Party from BanG Dream!  efficient;  the bottom image features the Poppin'Party logo

The BanG Dream! the anime appeared on the scene just four years later Love Live!is a dazzling success. However, this anime focuses on various new girl groups making their names in the rock music scene.

The leading group is Poppin’Party, a five member band who bonded around music, in search of their individual spark. Unlike the μ members who have come together to save their school, the Poppin’Party members practice their music for upcoming concerts and have the opportunity to perform in live houses. They idolize more established local bands such as Roselia and Afterglow. Four years after the anime aired, Poppin’Party remains a beloved anime group.

1 Detroit Metal City is a reference to a single from KISS (Detroit Metal City)

The image on the left shows Soichi Negishi with members of the Detroit Metal City band from Detroit Metal City;  the image on the right shows Soichi Negishi singing from Detroit Metal City

Detroit Metal City pays homage to the KISS single of the same name: “Detroit Rock City”. The band debuted in a 12-episode OVA series of the same name, their first episode airing in 2008. Small-scale musician Soichi Negishi is the frontman of the death metal band, with Johannes Krauser II as the stage name. Like Retsuko from Aggretsuko anime, Soichi is sweet and gentle, but holds an intense rage that sometimes needs to be unleashed.

Soichi and his other party mates hide behind demon-like figures to create a chaotic image that thrives on shock value. Detroit Metal City is a parody anime with a small but steadfast cult. Fans can’t help but burst out laughing as they watch the characters’ exaggerated antics.

NEXT: 5 Manga You Didn’t Know Were Based On Vocaloid (& 4 Anime)

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Consider this from NPR: NPR https://kenthe390.com/consider-this-from-npr-npr/ https://kenthe390.com/consider-this-from-npr-npr/#respond Fri, 01 Oct 2021 21:00:11 +0000 https://kenthe390.com/consider-this-from-npr-npr/

The new game Sable features an original soundtrack by Michelle Zauner, best known as the indie rock star behind the group Japanese Breakfast.

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The new game Sable features an original soundtrack by Michelle Zauner, best known as the indie rock star behind the group Japanese Breakfast.

Hangars

Michelle Zauner is best known as the lead singer of indie rock band Japanese Breakfast, and like most musicians, she tries to tell a personal story through her music. But she’s spent the last two years composing music that has nothing to do with her – for a video game soundtrack.

Sable is an adventure game that follows a young heroine traveling through a desert planet to return to her nomadic family.

“I really like the idea of ​​pushing myself as a songwriter and producer to take on something like this on my own,” Zauner told NPR.

Zauner explains the thematic inspirations behind her choices for the soundtrack and how her work on it led her to write “perhaps the most beautiful song” she has ever written on.

In participating regions, you will also hear a local news segment that will help you understand what is happening in your community.

Email us at considerthis@npr.org.

This episode was produced by Vincent Acovino and Brianna Scott. It was edited by Matt Ozug, Lee Hale and Brent Baughman. Our executive producer is Cara Tallo.

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A princess is ready to get married. But this is not a fairy tale. https://kenthe390.com/a-princess-is-ready-to-get-married-but-this-is-not-a-fairy-tale/ https://kenthe390.com/a-princess-is-ready-to-get-married-but-this-is-not-a-fairy-tale/#respond Fri, 01 Oct 2021 08:00:30 +0000 https://kenthe390.com/a-princess-is-ready-to-get-married-but-this-is-not-a-fairy-tale/

TOKYO – Anyone who dreams of being a princess should probably chat with Princess Mako of Japan.

On Friday, the agency that manages the affairs of Japan’s royal family announced that the Princess, Emperor Naruhito’s 29-year-old niece, will marry her fiance, a commoner named Kei Komuro, on October 26.

It’s a long time to come. The couple, who first met in college, have been engaged since 2017 – but going to the chapel has meant a murderous glove of media scrutiny and savage public commentary on Mr. Komuro to be the wife of an imperial daughter.

The pressure on the couple was so intense that the princess was diagnosed with post-traumatic stress disorder, Japanese public broadcaster NHK reported.