Best songs of 2021 so far


Believe it or not, 2021 is already about halfway.

From an unorthodox Grammy award ceremony to tour announcements, the music industry seems to be slowly but steadily getting back on its feet. With brighter skies ahead, there’s no shortage of great music to help weather the storm.


Below, we’ve rounded up the top ten songs of 2021 so far, from hip-hop to punk and everything in between. Here are all the other fantastic songs that we are sure to hear for the rest of the year.

10. Origami Angel, “Noah’s fence”

Washington DC rockers Origami Angel are masters of gloriously evil puns and self-referential anecdotes. On “Noah Fence”, the duo creates a love story from a visit to an evangelical door-to-door: “They keep telling me about heaven, it sounds a lot like when I’m with you / And if I could write a book about you, maybe they would see exactly why you represent the world to me, ”singer Ryland Heagy yells happily, relieved to have found his own source of direction in life. .

9. Dawn Richard, “Bussifame”

As a member of Danity Kane, Dawn Richard is an ace of clubby pop music. The contagious beat of “Bussifame” draws inspiration from influences that span between grime, house and R&B, as Richard literally orders you to move your feet. It is impossible not to oblige.

8. Head of a violin, “The years”

Some of the best punk and pop-punk records in history have come to be regarded as such not because they tried to make things bigger, but because they relied on their proven methods. Boston’s Fiddlehead recalls the glory days of, say, blink-182 with “The Years,” a two-minute banger that cuts the fat but none of the hooks.

7. Playboi Carti, “Sky”

Released on Christmas Day 2020, Playboi Carti’s Red Lotta Whole proved the advantage of going against the grain. “Sky” is perhaps the best example of Carti’s openness to experimentation, which paid off for him with critical acclaim.

6. Julien Baker, “Relative Fiction”

Julien Baker’s heart-wrenching lyrics have long been around in alternate arrangements, letting the lyrics of the Tennessee singer-songwriter take center stage. But on his last album, Little oversights, Baker is intelligently getting taller; on “Relative Fiction”, she weighs the pros and cons of falling in love with a breathtaking piano riff, suffocating drums and haunting harmonies.

5. Home is where, “Harakiri attended”

Florida band Home Is Where rang in 2021 with their first official release, I have become birds, And the rest is history. One of its many highlights, “Assisted Harakiri”, is a perfect introduction to the band, which harmoniously blends elements of emo, hardcore and folk rock in an exhilarating, mosh-ready cacophony.

4. Polo G, “RAPSTAR”

On “RAPSTAR,” fast-rising rapper Polo G is arrogant – and for good reason. On a trap rhythm infused with the ukulele, the Chicago phenomenon weighs the pros and cons of dazzling fame. “In search of something real, he stayed in a deep search,” he raps, seeking fulfillment among his abundance of flex.

3. The feat of Jazmine Sullivan. HER, “Girl like me”

For a year full of breakup hymns, “Girl Like Me” – the centerpiece of Jazmine Sullivan’s fantastic fourth album, Tales of Heaux – is a leading competitor. The sweet R&B ballad unwraps heartbreak in what often seems to be its most mundane, unpretentious forms, like sliding on Tinder or shopping for bodycon dresses on Fashion Nova. “You’re gonna make a hoe out of me,” Sullivan sings, cleverly picking up the insult to vilify his ex.

2. Japanese breakfast, “Be gentle”

When her mother died of cancer, Michelle Zauner relied on the emotional support of her boyfriend – who, as she explains in her new memoir Crying in H Mart, became her husband quite suddenly. While Zauner’s past releases as Japanese Breakfast have taken a hard hit by the horns, “Be Sweet” is an ’80s pop banger who speaks kindness in the name of love.

1. Olivia Rodrigo, “déjà vu”

“deja vu” wasn’t the song that made Olivia Rodrigo a pop star, but it was the much-needed moment that dispelled any speculation that she would be a hit wonder. Her talent for Swiftian storytelling pierces as she demarcates her bubbly relationship through references to Billy Joel, sharing ice cream and singing along with Joy reruns. As the psych-pop number culminates in its explosive coda, one thing is certain: Miss Driver’s License is not the next Taylor Swift, but the first and only Olivia Rodrigo.

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